兒童節(jié)相約泰達(dá)！天津茱莉亞學(xué)院親子歌劇《糖果屋》甜蜜開票

繼去年成功推出親子歌劇《魔笛》之后，天津茱莉亞聲樂藝術(shù)中心將于今年“六一”特別策劃全新制作——親子歌劇《糖果屋》（H?nsel und Gretel，又譯《漢塞爾與格蕾泰爾》），將德國(guó)作曲家洪佩爾丁克最受歡迎的兒童歌劇搬上天津茱莉亞的舞臺(tái)，帶領(lǐng)大小朋友們一起走進(jìn)歌劇的甜蜜世界。

為何選擇歌劇《糖果屋》？

歌劇《糖果屋》改編自格林童話中的同名故事，由浪漫派晚期德國(guó)作曲家恩格爾貝特·洪佩爾丁克創(chuàng)作。1893年首演后旋即風(fēng)靡歐洲，一年內(nèi)在50多個(gè)歌劇院上演。這部作品被譽(yù)為“瓦格納風(fēng)格遇上童話故事”——作曲家把瓦格納式的技法包裹在民歌化、兒童化的夢(mèng)幻旋律中，既有《尼伯龍根的指環(huán)》般的音樂深度，又有糖果、姜餅人和會(huì)跳舞的兄妹。

故事講述漢塞爾與格蕾泰爾這對(duì)淘氣兄妹，因貪玩被母親罰去森林采草莓。他們不知不覺在森林中迷了路，意外發(fā)現(xiàn)了一個(gè)神奇世界——到處藏著露水精靈、睡眠精靈和森林小仙，孩子們開始意識(shí)到人與自然之間那微妙而美好的聯(lián)結(jié)。第二天清晨，他們走進(jìn)了一座精美的糖果屋——原來那是邪惡女巫的陷阱！兄妹倆憑借機(jī)智與勇氣打敗了女巫，解救了所有被變成姜餅的孩子，與趕來的父母歡樂團(tuán)聚。

如何打造沉浸式歌劇體驗(yàn)？

此番，天津茱莉亞聲樂藝術(shù)中心邀請(qǐng)親子歌劇《魔笛》的導(dǎo)演陳仕弦再次執(zhí)導(dǎo)，并邀請(qǐng)?zhí)旖蜍锢騺喴魳防碚摻處煛⒆髑彝鯓酚芜M(jìn)行改編，推出全新制作的《糖果屋》。通過精致的舞美設(shè)計(jì)、多媒體投影和燈光效果，將音樂廳打造成一個(gè)夢(mèng)幻的糖果世界——姜餅人、棒棒糖、森林與星空遙相呼應(yīng)，讓孩子們仿佛置身于一個(gè)真實(shí)的童話王國(guó)。

不僅如此，演出中還將設(shè)置豐富的互動(dòng)環(huán)節(jié)：女巫被擊敗后，演員們會(huì)走下舞臺(tái)為小朋友們分發(fā)糖果；美麗的露水精靈會(huì)走入觀眾席與孩子們展開互動(dòng)；魔術(shù)般的場(chǎng)景轉(zhuǎn)換更會(huì)讓孩子們驚呼連連。天津茱莉亞聲樂藝術(shù)中心將全力打造一個(gè)屬于全家人的“歌劇奇妙夜”，讓父母與孩子在音樂中感受愛與勇氣的非凡力量。

本場(chǎng)演出已開放售票，觀眾可掃描下文中的二維碼進(jìn)行購票。一票一人，統(tǒng)一票價(jià)180元，不對(duì)號(hào)入座。套票優(yōu)惠：同時(shí)購買兩張享85折，同時(shí)購買三張享75折。溫馨提示：本場(chǎng)歌劇對(duì)兒童身高沒有限制，兒童觀眾需始終有成年人陪伴。

天津茱莉亞聲樂藝術(shù)中心

特別策劃

TIANJIN JUILLIARD VOCAL INSTITUTE PRESENTS

親子歌劇

《糖果屋》

H?NSEL UND GRETEL

A FAMILY SHOW

《糖果屋》

恩格爾貝特·洪佩爾丁克（王樂游改編）

漢塞爾：韓音培

格蕾泰爾：劉鶯歌

父親彼特：王藝清

巫婆：徐偉欽

小沙人 & 露水仙子：預(yù)科合唱團(tuán)

小精靈 & 姜餅人：音樂發(fā)展合唱團(tuán)

陳仕弦，導(dǎo)演

王樂游，指揮

楊騰鈞，燈光設(shè)計(jì)

譚志杰，影像設(shè)計(jì)

楊瀅瀅，服裝設(shè)計(jì)

唐宇智民，鋼琴

馬霽月，鋼琴

H?nsel und Gretel

Engelbert Humperdinck (adapted by Leyou Wang)

H?nsel:Yinpei Han

Gretel:Yingge Liu

Peter, the Father:Yiqing Wang

The Witch:Weiqin Xu

Sandman & Dew Fairy:PC Ensemble

Little Spirits & Gingerbread Children:MDP Chorus

Chen Shih-Hsien, Director

Leyou Wang, Conductor

Yang Tengjun, Lighting Engineer

Tan Zhijie, Projection Designer

Yang Yingying, Costume Designer

Yuzhimin Tang, Piano

Joy Ma, Piano

預(yù)科合唱團(tuán)

PC Ensemble

馬奕寧｜Yining Ma

王巋然｜Kuiran Wang

王麒錦｜Qijin Wang

謝娜｜Siena Octavia

吳玥林｜Madeline Wu

曾秭宜｜Ziyi Zeng

張聽雨｜Tingyu Zhang

音樂發(fā)展合唱團(tuán)

MDP Chorus

范凌霏｜Lingfei Fan

符歆笛｜Cindy Fu

姬婉晴｜Wanqing Ji

康錦桐｜Jintong Kang

陸晨歌｜Chenge Lu

孟子安｜Angela Meng

施鎧文｜Kaiwen Shi

田尚安｜Shangan Tian

王九如｜Jiuru Wang

王紹軒｜Shaoxuan Wang

王瀟悅｜Xiaoyue Wang

王瓚｜Zan Wang

王子愉｜Ziyu Wang

魏子昊｜Zihao Wei

武津平｜Jinping Wu

武津如｜Jinru Wu

席芷榆｜Zhiyu Xi

葉佳欣｜Jiaxin Ye

葉佳依｜Jiayi Ye

張珂寧｜Aylin Zhang

張文馨｜Wenxin Zhang

張忻愉｜Xinyu Zhang

鄭知新｜Zhixin Zheng

鐘未未｜Weiwei Zhong

陳仕弦

CHEN SHIH-HSIEN

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歌劇導(dǎo)演陳仕弦，其作品以傳達(dá)文本精神及音樂詮釋為出發(fā)點(diǎn)，擅長(zhǎng)創(chuàng)造強(qiáng)烈的畫面感，并運(yùn)用戲劇化的魔幻敘事手法。他融合中西文化元素，為年輕一代帶來全新的歌劇藝術(shù)視角。

他師從歌劇大師曾道雄教授，曾擔(dān)任Peter Hans Lemann、Anthony Pilavachi、Mary Birnbaum的導(dǎo)演助理。隨后，他以助理導(dǎo)演的身份參與臺(tái)中歌劇院多部國(guó)際歌劇共制，合作單位包括西班牙拉夫拉前衛(wèi)劇團(tuán)、丹麥皇家歌劇院、柏林喜歌劇院，以及高雄春天藝術(shù)節(jié)、澳門國(guó)際音樂節(jié)等，共計(jì)參與超過30部大型歌劇制作。

2016年，他以創(chuàng)新手法重新詮釋《塞維利亞的理發(fā)師》，廣受好評(píng)并受邀至各地巡演。2017年，執(zhí)導(dǎo)全本法語歌劇《霍夫曼的故事》；2018年，受邀擔(dān)任視覺合唱?jiǎng)?chǎng)《四季臺(tái)灣》的導(dǎo)演，并于同年執(zhí)導(dǎo)全本德語歌劇《魔笛》。近期作品包括《蝙蝠》《費(fèi)加羅的婚禮》《莎芙》《波西米亞人》等。

近年來，他專注于跨界作品與親子歌劇，希望將古典音樂與戲劇帶入更多人的生活。他的演出不僅限于專業(yè)劇場(chǎng)，更深入歷史古跡、學(xué)校、美術(shù)館等場(chǎng)域進(jìn)行演出。

Opera director Chen Shih-Hsien, whose works focus on conveying the essence of the text and musical interpretation, is known for creating strong visual imagery and employing a theatrical, magical narrative style. By integrating both Eastern and Western cultural elements, he brings a fresh perspective to opera for the younger generation.

He was mentored by the opera master Professor Tseng Dau-Hsiong and has served as an assistant director to Peter Hans Lemann, Anthony Pilavachi, and Mary Birnbaum. Later, as an assistant director, he participated in several international co-productions at Taichung Opera House, collaborating with La Fura dels Baus (Spain), the Royal Danish Opera, the Komische Oper Berlin, and major festivals such as the Kaohsiung Spring Arts Festival and the Macao International Music Festival. In total, he has contributed to more than 30 large-scale opera productions.

In 2016, he reinterpreted Il Barbiere di Siviglia with an innovative approach, receiving widespread acclaim and invitations for touring performances. In 2017, he directed the full-length French opera Les Contes d'Hoffmann, and in 2018, he was invited to direct the visual choral theater production Four Seasons Taiwan. That same year, he also directed the full-length German opera Die Zauberfl?te. Recent works include Die Fledermaus, Le Nozze di Figaro, Sapho, and La Bohème.

In recent years, he has focused on cross-disciplinary works and children's operas, aiming to bring classical music and theater into more people's lives. His performances are not limited to professional theaters but also take place in historic sites, schools, and art museums.

王樂游

LEYOU WANG

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王樂游是一名青年作曲家、指揮與音樂教育者。他的作品多次獲得國(guó)際比賽獎(jiǎng)項(xiàng)，包括齊爾品作曲比賽和美國(guó)作曲家交響樂團(tuán)EarShot獎(jiǎng)，并被世界各地的專業(yè)交響樂團(tuán)演出，如斯圖加特愛樂樂團(tuán)和辛辛那提交響樂團(tuán)等，且多次由他本人執(zhí)棒指揮。

王樂游自幼在楊鴻年合唱團(tuán)（現(xiàn)北京愛樂合唱團(tuán)）接受合唱訓(xùn)練。在德國(guó)留學(xué)期間，他長(zhǎng)期擔(dān)任斯圖加特音樂學(xué)院歌劇學(xué)校的鋼琴伴奏和藝術(shù)指導(dǎo)，參與《費(fèi)加羅的婚禮》《藝術(shù)家生涯》《卡門》《What next?》《賈尼斯基基》等多部歌劇的排練和助理指揮工作。此外，他廣泛涉獵嚴(yán)肅、民族、音樂劇、流行等風(fēng)格的合唱和聲樂作品的改編與創(chuàng)作。

指揮和創(chuàng)作之余，王樂游熱衷于音樂教育。他在旅德旅美期間，長(zhǎng)期在所在大學(xué)教授視唱練耳和音樂理論，積累了豐富的教學(xué)經(jīng)驗(yàn)。他在德國(guó)斯圖加特音樂學(xué)院和弗萊堡音樂學(xué)院獲得音樂理論和指揮的碩士學(xué)位，并在美國(guó)密蘇里大學(xué)堪薩斯城分校獲得作曲博士學(xué)位，師從陳怡、周龍教授。

Born in China, composer, conductor and music educator Wang Leyou’s works have won numerous international awards, including the Tcherepnin Composition Competition and the American Composers Orchestra’s “EarShot” Award. His orchestral compositions have been performed by symphony orchestras, such as the Stuttgart Philharmonic and the Cincinnati Symphony Orchestra, with Wang as conductor in some of the performances.From a young age, Wang received choral training in the renowned Yang Hongnian Choir (currently the Beijing Philharmonic Choir). During his time in Germany, he served as a Repetiteur and music coach at the Opera School of the State University for Music and Performing Arts, where he participated in the rehearsals and assistant conducting of several operas, including The Marriage of Figaro, La Bohème, Carmen, What Next?, and Gianni Schicchi. He is also actively involved in arrangement and composition of various choral and vocal works, with a spectrum of styles and genres spanning classical, ethnic, musical theater, and pop.

In addition to composing and conducting, Wang is passionate about music education. He taught ear training and music theory at the German and American universities where he graduated. Wang received his master’s degrees in music theory and conducting from the State University of Music and the Performing Arts Stuttgart and the Freiburg University of Music in Germany, and doctorate in composition from the University of Missouri-Kansas City under the guidance of Dr. Chen Yi and Dr. Zhou Long.

楊騰鈞

YANG TENGJUN

資深燈光設(shè)計(jì)師，設(shè)計(jì)并執(zhí)行近千場(chǎng)演出。

參與領(lǐng)域包括戲劇、舞蹈演出、商業(yè)演出、工程項(xiàng)目及教學(xué)。

歷年經(jīng)驗(yàn)涵蓋相聲瓦舍、舞臺(tái)劇《喜羊羊與灰太狼》、舞臺(tái)劇《小魔女DoReMi》、媽祖文化季、明華園歌仔戲、《NTSO——給女兒的信》、輕歌劇《蝙蝠》、三麗鷗兒童劇、《重返櫟社》等各類活動(dòng)與巡演。

Senior Lighting Designer with experience in designing and executing nearly a thousand performances.

His work spans across theater, dance productions, commercial shows, engineering projects, and education.

Over the years, he has been involved in a wide range of events and tours, including Crosstalk Warehouse, Pleasant Goat and Big Big Wolf, Magical DoReMi, Mazu Cultural Festival, Ming Hwa Yuan, NTSO – A Letter to My Daughter, Operetta Die Fledermaus, Sanrio Children's Theater, Return to Lixhe, and many more.

譚志杰

TAN ZHIJIE

日出身體劇場(chǎng)《致：未曾凝視的》影像設(shè)計(jì)/執(zhí)行

謎思星球劇團(tuán)《風(fēng)流寡婦》影像設(shè)計(jì)/執(zhí)行

萍蓬草劇團(tuán)《一千零二夜》影像設(shè)計(jì)/執(zhí)行

萍蓬草劇團(tuán)《花忍者》導(dǎo)演

“未竟之業(yè)：給AI時(shí)代的備忘錄”戲劇節(jié)《To be or not to be》 導(dǎo)演

“未竟之業(yè)/夜”戲劇節(jié)《桃花源》導(dǎo)演

EX-亞洲劇團(tuán)No.5《iStory +》導(dǎo)演/演員

李清照私人劇團(tuán)感傷動(dòng)作派《湘蘭圖》執(zhí)行制作

· Dawn Dance Theater — To: The Unseen — Video Designer / Video Operator

· @Myth Planet Theatre — The Merry Widow — Video Designer / Video Operator

· Ping-Fong Grass Theatre — One Thousand and Two Nights — Video Designer / Video Operator

· Ping-Fong Grass Theatre — Flower Ninja — Director

· The Unfinished Work: A Memorandum for the AI Era Theatre Festival — To Be or Not To Be — Director

· The Unfinished Work / Night — Peach Blossom Spring — Director

· EX-Asia Theatre No.5 — iStory + — Director / Performer

· Li Qingzhao Private Theatre, Sentimental Movement School — Xianglan Tu — Executive Producer

楊瀅瀅

YANG YINGYING

畢業(yè)于羅馬美術(shù)學(xué)院，戲劇服裝設(shè)計(jì)碩士。

曾任職于國(guó)家大劇院，參與《長(zhǎng)征》《金沙江畔》《水仙女》《樣式雷》《鳥》《麥克白》《哈姆雷特》《鄧世昌》等項(xiàng)目。

參與設(shè)計(jì)：羅馬戲劇項(xiàng)目《梵高》，2021；中戲青戲節(jié)《秋》，2023；成都SKP《iSING!歌劇之夜》，2023；棱鏡戲劇節(jié)《即刻感受》，2024。

Graduated with a Master’s degree in Costume Design for Theater from the Rome Academy of Fine Arts.

Formerly worked at the National Centre for the Performing Arts, contributing to productions such as The Long March, By the Jinsha River, Rusalka, Yangshilei, Bird, Macbeth, Hamlet, and Deng Shichang.

Design Projects: Van Gogh, Rome Theater Project, 2021; Autumn, Central Academy of Drama Youth Theater Festival, 2023; iSING! Opera Night, Chengdu SKP, 2023; Feel It Now, Prism Theater Festival, 2024.

唐宇智民

YUZHIMIN TANG

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唐宇智民，現(xiàn)就讀于天津茱莉亞學(xué)院合作鋼琴專業(yè)研究生二年級(jí)，師從天津茱莉亞學(xué)術(shù)院長(zhǎng)、鋼琴家、聲樂藝術(shù)指導(dǎo)朱蕙心，以及鋼琴家娜塔莉亞·卡圖科娃。

畢業(yè)于四川音樂學(xué)院鋼琴系，師從旅美青年鋼琴家丁彥華，曾榮獲雅馬哈獎(jiǎng)學(xué)金，第九屆施坦威全國(guó)青少年鋼琴比賽西南賽區(qū)第一名，第五屆蘭州國(guó)際鋼琴公開賽青年公開組第三名等獎(jiǎng)項(xiàng)；在鋼琴合作藝術(shù)領(lǐng)域，曾多次在蜂鳥音樂獎(jiǎng)、德國(guó)威斯巴登音樂比賽等賽事演出中擔(dān)任伴奏。

作為聯(lián)合藝術(shù)指導(dǎo)參與錄制的教材《輕輕松松學(xué)長(zhǎng)笛》2023年由上海音樂出版社出版。

Yuzhimin Tang is currently a second-year student major in Collaborative Piano at The Tianjin Juilliard School. He studies under Katherine Chu, Dean of Tianjin Juilliard, pianist and vocal coach, as well as the pianist Natalia Katyukova.

Tang graduated from the Piano Department of Sichuan Conservatory of Music. He studied under Yanhua Ding, a young Chinese pianist. He has won the Yamaha Scholarship, the first prize in the Southwest Division of the 9th Steinway National Youth Piano Competition, the third prize in the Youth Open Group of the 5th Lanzhou International Piano Open Competition, and other awards. In the field of collaborative piano art, he has served as an accompanist many times in competitions and performances such as the Hummingbird Music Award and the Wiesbaden Music Competition.

As a collaborative pianist, he participated in the recording of the teaching material Learning the Flute with Ease, which was published by Shanghai Music Publishing House in 2023.

馬霽月

JOY MA

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馬霽月，現(xiàn)就讀于天津茱莉亞學(xué)院合作鋼琴專業(yè)一年級(jí)，師從天津茱莉亞學(xué)術(shù)院長(zhǎng)、美籍華裔鋼琴家及聲樂藝術(shù)指導(dǎo)朱蕙心，以及鋼琴家娜塔莉亞·卡圖科娃。

她本科畢業(yè)于美國(guó)伊薩卡學(xué)院，師從美籍希臘裔鋼琴家Charis Dimaras。本科期間獲獎(jiǎng)學(xué)金赴奧地利維也納交流學(xué)習(xí)，于IES國(guó)際教育維也納中心及維也納音樂與表演藝術(shù)大學(xué)深造，師從Magda Vlada。

在校期間，她長(zhǎng)期與多位聲樂藝術(shù)家合作，并榮獲校長(zhǎng)獎(jiǎng)學(xué)金，同時(shí)還擁有八年教會(huì)唱詩班伴奏經(jīng)驗(yàn)。她曾參與演出梅西安《時(shí)間終結(jié)四重奏》，獲得廣泛好評(píng)。

Joy Ma is currently a first-year Collaborative Piano major at Tianjin Juilliard, studying with Katherine Chu, Academic Dean of Tianjin Juilliard, Chinese-American pianist, and vocal arts coach.

She received her Bachelor’s degree from Ithaca College, where she studied with Greek-American pianist Charis Dimaras. During her undergraduate studies, she was awarded a scholarship to study abroad at the IES Vienna Center and the University of Music and Performing Arts Vienna, under the guidance of Magda Vlada.

Throughout her studies, she collaborated extensively with vocalists and was awarded the Ithaca College President’s Scholarship. She also served as a church choir accompanist for eight years. She performed in Messiaen’s Quatuor pour la fin du temps (Quartet for the End of Time), receiving wide acclaim.

韓音培

YINPEI HAN

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抒情女中音韓音培是備受矚目的中國(guó)新生代青年歌唱家。她擅長(zhǎng)詮釋不同語言、流派的作品和演繹豐富多變的角色。她曾出演的歌劇角色主要包括：斯特拉文斯基《浪子的歷程》，土耳其女郎芭芭（2021，北京國(guó)際音樂節(jié)，上海交響樂團(tuán)，中國(guó)首演）；莫扎特《女人心》，朵娜貝拉；《魔笛》，第二女巫；《費(fèi)加羅的婚禮》，凱魯比諾；塞繆爾·巴伯《瓦妮莎》，艾麗卡；拉威爾《孩童與魔法》，松鼠；亨德爾《蘇珊娜》，約阿希姆；《阿爾辛娜》，布拉達(dá)曼特等。

在藝術(shù)歌曲領(lǐng)域，韓音培同樣表現(xiàn)出色。值得一提的是，她熱衷于探索中國(guó)藝術(shù)歌曲的當(dāng)代表達(dá)以及推動(dòng)中國(guó)當(dāng)代聲樂室內(nèi)樂藝術(shù)作品的發(fā)展。她曾多次參與新作品世界首演，包括：《唐詩·名篇》（2020，iSING!蘇州國(guó)際青年歌唱家藝術(shù)節(jié)）；吳承昊作品《唐詩神游之二》（2021，第三屆天津室內(nèi)樂音樂節(jié)）；王萌作品《月面》（2021，中國(guó)上海國(guó)際藝術(shù)節(jié)“扶持青年藝術(shù)家計(jì)劃”）。她曾亮相于上海交響音樂廳、天津茱莉亞音樂廳、北京保利劇院、深圳音樂廳、深圳保利劇院等舞臺(tái)，受到業(yè)界和觀眾的廣泛贊譽(yù)。

韓音培頻繁地受到國(guó)內(nèi)外各大交響樂團(tuán)及音樂節(jié)的邀請(qǐng)。近期的演出包括：馬勒《第三交響曲》（武漢愛樂樂團(tuán)）；《卡門》（四川交響樂團(tuán)）等。她曾與指揮家約瑟夫·科蘭里、勞倫特·皮羅、喬治·瑪納漢、林大葉、張潔敏等合作演出。藝術(shù)節(jié)演出主要包括：紐約夏季歌劇節(jié)、北京國(guó)際音樂節(jié)、iSING!國(guó)際青年歌唱家藝術(shù)節(jié)、上海國(guó)際藝術(shù)節(jié)、天津室內(nèi)樂音樂節(jié)、武漢琴臺(tái)音樂節(jié)等。

韓音培獲得過多個(gè)國(guó)際聲樂大獎(jiǎng)，包括2019年中韓國(guó)際聲樂大賽一等獎(jiǎng)，2018年紐約Career Bridges國(guó)際聲樂大賽最高獎(jiǎng)，2013年意大利拉菲尼契杯國(guó)際聲樂比賽銀獎(jiǎng)等。

韓音培畢業(yè)于美國(guó)曼哈頓音樂學(xué)院、曼尼斯音樂學(xué)院，分別獲得聲樂演唱碩士和藝術(shù)家文憑。她師從聲樂教授劉訓(xùn)美、丹尼爾·費(fèi)羅、狄安娜·索維耶羅、凱瑟琳·瑪爾費(fèi)塔諾，藝術(shù)指導(dǎo)沃倫·瓊斯、馬丁·卡茨，并多次以最高獎(jiǎng)學(xué)金赴意大利參加丹尼爾·費(fèi)羅聲樂大師班。

Yinpei Han is an emerging lyric mezzo-soprano versatile in a variety of genres and languages. With a captivating presence on the operatic stage, Han has interpreted leading roles, such as Baba the Turk in Stravinsky's Rake's Progress with the Shanghai Symphony Orchestra and at the Beijing International Music Festival for the China premiere in 2021; Dorabella in Così fan tutte; Cherubino in Le Nozze di Figaro; Erica in Samuel Barber's Vanessa; L’ecureuil in L’Enfant et les sortilèges; Joachim in Susanna; Bradamante in Alcina; and as an ensemble member in Bloch’s Macbeth.

In the art of song recital, Han is passionate about exploring the contemporary expressions of Chinese art songs and promoting the development of Chinese contemporary vocal chamber music works. She has participated in premieres including Ancient Tang Poems at the iSING! international Young Artist Festival in 2020; Sam Wu's Songs Across the Aeons at the Tianjin Chamber Music Festival in 2021; and Wang Meng’s Moon-Faced Buddha at the Shanghai International Arts Festival in 2021. Han has appeared on the stages of the Shanghai Symphony Concert Hall, Tianjin Juilliard Concert Hall, Xinghai Concert Hall, Shenzhen Concert Hall, Poly Theater of Shenzhen, and Nanjing Arts Institute concert hall.

As a frequent guest with symphony orchestras throughout China, Han has been invited to sing with Wuhan Philharmonic Orchestra in Mahler Symphony No.3; Sichuan Symphony Orchestra in Carmen; and sang under the baton of Maestros Joseph Colaneri, Laurent Pillot, George Manahan, Lin Daye, Liu Peng, Darrell Ang, and Jiemin Zhang. She has made festival appearances at the New York Summer Opera Festival, Beijing International Music Festival, Shanghai International Arts Festival, Tianjin Chamber Music Festival, Wuhan Qintai Music Festival, as well as the iSING! international Young Artist Festival.

Han’s vocal performances have won her many awards, including First Place at the 2019 SIMC Korea-China International Music Competition, Highest Honor at the Career Bridges Vocal Competition in 2018 as well as the Silver Award at the 5th La Fenice International Vocal Competition (China District).

Han graduated from Manhattan School of Music and Mannes Conservatory of Music. She studied with Liu Xunmei, Daniel Ferro, Diana Soviero, Catherine Malfitano, as well as vocal coaches Warren Jones and Martin Katz. She has attended Daniel Ferro‘s vocal master class in Italy on scholarship.

劉鶯歌

YINGGE LIU

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劉鶯歌，旅美女高音、歌劇制作人，山西大學(xué)音樂學(xué)院青年教師。

她畢業(yè)于美國(guó)印第安納大學(xué)雅各布斯音樂學(xué)院、曼哈頓音樂學(xué)院，曾師從上海音樂學(xué)院陳星教授、著名男中音歌唱家Wolfgang Brandel。

她曾出演美國(guó)華盛頓國(guó)家歌劇院音樂總監(jiān)Francesca Zambello導(dǎo)演的普朗克歌劇《加爾默羅修女的對(duì)話》中Blanche de la Force，并多次受邀參加各大國(guó)際音樂節(jié)演出。

在北京大學(xué)歌劇研究院工作期間，她主要統(tǒng)籌制作的有北京大學(xué)原創(chuàng)歌劇《青春之歌》《費(fèi)加羅的婚禮》《唐璜》《魔笛》《藝術(shù)家生涯》《愛之甘醇》，以及與美國(guó)戲劇導(dǎo)演Joseph Graves合作的音樂劇《堂吉訶德》北大校園版等。

Liu Yingge is a soprano, opera producer, and faculty member at the School of Music, Shanxi University.

She is a graduate of the Jacobs School of Music, Indiana University, and the Manhattan School of Music. She has studied under Professor Chen Xing of the Shanghai Conservatory of Music and the renowned baritone Wolfgang Brandel.

Liu Yingge portrayed Blanche de la Force in Poulenc’s opera Dialogues of the Carmelites, directed by Francesca Zambello, Music Director of the Washington National Opera. She has been invited to perform at numerous major international music festivals.

During her tenure at the Peking University Academy of Opera, she produced the overall production of a range of productions, including Peking University’s original opera The Song of Youth, as well as classic operas Le Nozze di Figaro, Don Giovanni, The Magic Flute, La Bohème and L’elisir d’amore. She also produced the Peking University campus version of the musical Man of La Mancha, in collaboration with American theatre director Joseph Graves.

王藝清

YIQING WANG

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出生地：中國(guó)山東

教育背景：中國(guó)音樂學(xué)院

歌劇角色：《費(fèi)加羅的婚禮》費(fèi)加羅；《唐璜》唐璜；《塞維利亞理發(fā)師》費(fèi)加羅；《賈尼·斯基基》賈尼·斯基基；《卡門》埃斯卡米洛；《茶花女》喬治·亞芒；《圖蘭朵》平；《藝術(shù)家的生涯》馬切羅、蕭納德；《丑角》西爾維奧；《羅密歐與朱麗葉》茂丘西奧；《漢塞爾與格雷泰爾》父親

其他經(jīng)歷：王藝清是中國(guó)音樂學(xué)院外聘聲樂教師、索尼唱片合作藝術(shù)家，與許多國(guó)內(nèi)外著名指揮家多次合作，如俞峰、李心草、陳琳、楊洋、許知俊、王燕、袁丁、夏小湯、黃屹、金野、托馬斯·桑德靈、阿爾多·斯孜羅、米克海爾·森克維奇等。他合作過的樂團(tuán)有中央歌劇院交響樂團(tuán)、中國(guó)國(guó)家交響樂團(tuán)、中國(guó)愛樂樂團(tuán)、中央廣播交響樂團(tuán)等。

Hometown: Shandong, China

Training: China Conservatory of Music

Roles: Figaro, Count Almaviva / LE NOZZE DI FIGARO, Don Giovanni / DON GIOVANNI, Figaro / IL BARBIERE DI SIVIGLIA, Gianni Schicchi / GIANNI SCHICCHI, Escamillo, Dancairo / CARMEN, Giorgio Germont / LA TRAVIATA, Marcello, Schaunard / LA BOHèME, Ping / TURANDOT, Silvio / PAGLIACCI, Mercuzio / ROMéO ET JULIETTE

Notables: Yiqing Wang is a guest vocal instructor at the China Conservatory of Music and a Sony Music Collaborating Artist. He has frequently worked with many renowned conductors both in China and abroad, including Feng Yu, Xincao Li, Lin Chen, Yang Yang, Zhijun Xu, Yan Wang, Ding Yuan, Xiaotang Xia, Yi Huang, Ye Jin, Thomas Sanderling, Aldo Sisillo, and Mikhail Sinkevich. He has performed with several major orchestras such as the China National Opera House Symphony Orchestra, the China National Symphony Orchestra, the China Philharmonic Orchestra, and the China Broadcasting Symphony Orchestra.

徐偉欽

WEIQIN XU

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旅美青年男高音徐偉欽以其寬廣的音域及豐富的演唱曲目活躍于歌劇與音樂會(huì)舞臺(tái)之上。他頻繁受邀亮相于各大國(guó)際音樂節(jié)，與紐約愛樂樂團(tuán)、上海交響樂團(tuán)、上海愛樂樂團(tuán)、澳門樂團(tuán)、蘇州交響樂團(tuán)、成都交響樂團(tuán)、四川交響樂團(tuán)、貴陽交響樂團(tuán)、青島交響樂團(tuán)等著名樂團(tuán)多次合作，并參與了多部新作的世界首演。主演歌劇包括普賽爾《黛朵和安涅阿斯》、海頓《月亮的世界》、莫扎特《唐璜》《魔笛》、多尼采蒂《愛之甘醇》、普契尼《賈尼·斯基基》、威爾第《茶花女》、譚盾《茶魂》、賈國(guó)平《野草》等。

他曾亮相中國(guó)多個(gè)音樂節(jié)，包括上海巴洛克國(guó)際音樂節(jié)、上海夏季音樂節(jié)、iSING!國(guó)際青年歌唱家藝術(shù)節(jié)、北京國(guó)際音樂節(jié)以及天津茱莉亞的匯聚音樂節(jié)。近期，他在天津茱莉亞聲樂藝術(shù)中心制作的莫扎特歌劇《魔笛》中出演男主角塔米諾王子，大華表演藝術(shù)中心制作的沉浸式歌劇《茶花女》中飾演男主角阿爾弗萊多，與青心室內(nèi)樂團(tuán)合作演唱布里頓聲樂室內(nèi)樂套曲《小夜曲》，與天津茱莉亞管弦樂團(tuán)合作演出葉小綱《西藏之光》。

徐偉欽對(duì)聲樂室內(nèi)樂作品有著極高的熱情，他擅長(zhǎng)詮釋多種語言和時(shí)期風(fēng)格的藝術(shù)歌曲，并首演了諸多新作品。他作為特邀藝術(shù)家演唱了諸多天津茱莉亞聲樂藝術(shù)中心主辦的藝術(shù)歌曲音樂會(huì)，包括布里頓的《亞伯拉罕與以撒》的中國(guó)首演。作為上海交響樂團(tuán)2023樂季系列音樂會(huì)的客座藝術(shù)家，他在多場(chǎng)音樂會(huì)中演唱了貝多芬套曲《致遠(yuǎn)方的愛人》和勃拉姆斯《愛情圓舞曲》等經(jīng)典作品。2024年7月，他在有著900年歷史的奧地利圣十字修道院皇帝大廳演出德奧藝術(shù)歌曲音樂會(huì)。2026年1月他再次作為上海交響樂團(tuán)2026樂季客座藝術(shù)家，演繹《不列顛音畫》英國(guó)藝術(shù)歌曲音樂會(huì)。

徐偉欽對(duì)中國(guó)古代音樂有著濃厚的興趣，他曾輔修古琴，師從著名廣陵派琴家戴曉蓮。他曾參與《靜聽琴說》古琴與琴歌系列音樂會(huì)的首演與全國(guó)巡演，他在演唱西方作品的同時(shí)也致力于中國(guó)琴歌與古樂的演繹與推廣。

徐偉欽是天津茱莉亞學(xué)院客座藝術(shù)家、大華表演藝術(shù)中心簽約藝術(shù)家、iSING!國(guó)際青年歌唱家藝術(shù)節(jié)簽約歌唱家，并于2021年入選深圳聲樂季·中國(guó)聲樂人才培養(yǎng)計(jì)劃。他先后畢業(yè)于上海音樂學(xué)院、美國(guó)曼尼斯音樂學(xué)院。

Tenor Weiqin Xu has established himself as an active performer on both opera and recital stages with a broad repertoire ranging from Baroque to the 21st century. Noted for his wide vocal range and unique baritenor vocal color, he has sung major roles in La Dafne (Gagliano), L'elisir d'amore, Dido and Aeneas, Don Giovanni, Die Zauberfl?te, La Traviata, Gianni Schicchi, Il Mondo della Luna (Haydn) , Tea: Mirror of the Soul (Tan Dun) and Wild Grass (Guoping Jia).

Weiqin Xu is a frequent guest in music festivals across China. He appeared at the Shanghai International Baroque Music Festival, Shanghai “Music in the Summer Air” (MISA) Festival, iSING! International Young Artists Festival, 2022 Shanghai Spring Festival Concert, Beijing Music Festival, and Tianjin Juilliard's Festival Connect.

He is an avid champion of the art song recital and a versatile interpreter of art songs in several languages and stylistic periods. Under the auspices of the Tianjin Juilliard Vocal Institute, Weiqin has been featured in numerous art song recitals, including the Chinese premiere of Benjamin Britten’s Second Canticle: Abraham and Isaac. A guest artist on the season concert series at the Shanghai Symphony Hall, Xu sang in a concert of Beethoven’s song cycle An die ferne Geliebte, and Brahms’ Liebesliederwalzer.

Xu has a special interest in Chinese traditional art music. He studied Guqin, a Chinese traditional instrument similar to the zither, under the tutelage of world-renowned Guqin artist Xiaolian Dai. As a classically trained opera singer, he is also dedicated to the promotion and interpretation of Chinese Qin songs and ancient Chinese music.

Xu received his bachelor’s degree of music from the Shanghai Conservatory of Music, andaa master’s of music in vocal performance from Mannes School of Music.

信息來源：天津茱莉亞學(xué)院